"who do you pair that character with?"
happiness. life. being happy. not being dead. i want them to be alive and safe. and happy. that’s what i’m getting at. that is the direction this is going in. that’s my only wish
this is what is going on in scotland right now.
dont ignore this.
there is NO coverage of the rioting on the news which is why its so important that you dont ignore this.
please stay safe if you live in scotland.
my partner actually went to the yes rally in george square a couple days ago and said the no guys were indeed doing nazi salutes
The unionists have set fire to the building housing The Herald.
A 15 year old boy is dead.
The riots continue.
My friends have been trying to get out of Glasgow and have been attacked.
Your voter status doesn’t matter to these people, they will attack for no reason.
Gay SNP councillor Austin Sheridan has been subjected to an unprovoked attack simply because he is a gay man who voted yes.
Homes have been broken into.
There are riots on the streets even outside of Glasgow.
The BNP, UKIP, Britain First and The Orange Lodge are attacking peaceful protestors with flares.
LGBT people are being singled out by the above groups.
DON’T LET THIS ABHORRENT SITUATION CONTINUE.
DO NOT LET THIS BE HIDDEN.
PLEASE, DO WHAT YOU CAN.
MY CITY AND COUNTRY IS UTTER CHAOS.
I am just trying to stay safe, for now.
"A gargantuan figure blessed with the greatest lightness." My character grew up in the Court of Miracles, which is the 17th-century version of the modern-day ghetto. There were 12 in Paris and the one I grew up in was the biggest and the worst.I don’t know who my father is, my mother died when I was five, so then I basically had to fend for myself. Got into trouble here and there, I was a street thief, you know, a hustler of sorts. But also a romantic, someone who was in need of a family unit and love. The reason why the musketeers regiment is so important for Porthos is that it is the only family he’s ever known. There’s an amazing amount of passion and pride for Porthos in being a musketeer. The Fleur De Lis that he wears on his shoulder guard means the world to him. That brotherhood.
Fraternity, loyalty, equality - those things are very important to Porthos.
I liken Porthos to a human hurricane - on the inside, the eye of the storm, you’ll find peace, serenity, beauty… cross him or those he loves, the Musketeers, and you will find yourself in a tempest of discomfort. “
Female figurine from the Hohle Fels cave near Stuttgart, about 35,000 years old. Interpreted as a pornographic pin-up.
“The Earliest Pornography” says Science Now, describing the 35,000 year old ivory figurine that’s been dug up in a cave near Stuttgart. The tiny statuette is of a female with exaggerated breasts and vulva. According to Paul Mellars, one of the archaeologist twits who commented on the find for Nature, this makes the figurine “pornographic.” Nature is even titling its article, “Prehistoric Pin Up.” It’s the Venus of Willendorf double standard all over again. Ancient figures of naked pregnant women are interpreted by smirking male archaeologists as pornography, while equally sexualized images of men are assumed to depict gods or shamans. Or even hunters or warriors. Funny, huh?
Consider: phallic images from the Paleolithic are at least 28,000 years old. Neolithic cultures all over the world seemed to have a thing for sculptures with enormous erect phalluses. Ancient civilizations were awash in images of male genitalia, from the Indian lingam to the Egyptian benben to the Greek herm. The Romans even painted phalluses on their doors and wore phallic charms around their necks.
But nobody ever interprets this ancient phallic imagery as pornography. Instead, it’s understood to indicate reverence for male sexual potency. No one, for example, has ever suggested that the Lascaux cave dude was a pin-up; he’s assumed to be a shaman. The ithyphallic figurines from the Neolithic — and there are many — are interpreted as gods. And everyone knows that the phalluses of ancient India and Egypt and Greece and Rome represented awesome divine powers of fertility and protection. Yet an ancient figurine of a nude woman — a life-giving woman, with her vulva ready to bring forth a new human being, and her milk-filled breasts ready to nourish that being — is interpreted as pornography. Just something for a man to whack off to. It’s not as if there’s no other context in which to interpret the figure. After all, the European Paleolithic is chock full of pregnant-looking female statuettes that are quite similar to this one. By the time we get to the Neolithic, the naked pregnant female is enthroned with lions at her feet, and it’s clear that people are worshipping some kind of female god.
Yet in the Science Now article, the archaeologist who found the figurine is talking about pornographic pin-ups: “I showed it to a male colleague, and his response was, ‘Nothing’s changed in 40,000 years.’” That sentence needs to be bronzed and hung up on a plaque somewhere, because you couldn’t ask for a better demonstration of the classic fallacy of reading the present into the past. The archaeologist assumes the artist who created the figurine was male; why? He assumes the motive was lust; why? Because that’s all he knows. To his mind, the image of a naked woman with big breasts and exposed vulva can only mean one thing: porn! Porn made by men, for men! And so he assumes, without questioning his assumptions, that the image must have meant the same thing 35,000 years ago. No other mental categories for “naked woman” are available to him. His mind is a closed box. This has been the central flaw of anthropology for as long there’s been anthropology. And even before: the English invaders of North America thought the Iroquois chiefs had concubines who accompanied them everywhere, because they had no other mental categories to account for well-dressed, important-looking women sitting in a council house. It’s the same fallacy that bedevils archaeologists who dig up male skeletons with fancy beads and conclude that the society was male dominant (because powerful people wear jewelry!), and at another site dig up female skeletons with fancy beads and conclude that this society, too, was male dominant (because women have to dress up as sex objects and trophy wives!). Male dominance is all they can imagine. And so no matter what they dig up, they interpret it to fit their mental model. It’s the fallacy that also drives evolutionary psychology, the central premise of which is that human beings in the African Pleistocene had exactly the same values, beliefs, prejudices, power struggles, goals, and needs as the middle-class white professors and students in a graduate psychology lab in modern-day Santa Barbara, California. And that these same factors are universal and unchanged and true for all time.
That’s not science; it’s circular, self-serving propaganda. This little figurine from Hohle Fels, for example, is going to be used as “proof” that pornography is ancient and natural. I guarantee it. Having been interpreted by pornsick male archaeologists as pornography because that’s all they know, the statuette will now be trotted out by every ev psycho and male supremacist on the planet as “proof” that pornography is eternal, that male dominance is how it’s supposed to be, and that feminists are crazy so shut the fuck up. Look for it in Steven Pinker’s next book. ***
P.S. My own completely speculative guess on the figurine is that it might be connected to childbirth rituals. Notice the engraved marks and slashes; that’s a motif that continues for thousands of years on these little female figurines. No one knows what they mean, but they meant something. They’re not just random cut marks. Someone put a great deal of work into this sculpture. Given that childbirth was incredibly risky for Paleolithic women, they must have prayed their hearts out for help and protection in that time. I can imagine an elder female shaman or artist carving this potent little figure, and propping it up somewhere as a focus for those prayers.
On the other hand, it is possible that it has nothing to do with childbearing or sexual behavior at all. The breasts and vulva may simply indicate who the figure is: the female god. Think of how Christ is always depicted with a beard, which is a male sexual characteristic, even though Christ isn’t about male sexuality. The beard is just a marker. Or, given the figurine’s exaggerated breasts, it may have something to do with sustenance: milk, food, nourishment.
The notion that some dude carved this thing to whack off to — when he was surrounded by women who probably weren’t wearing much in the way of clothes anyway — is laughable.
Good lord I am so glad I took ancient art from a female professor.
scotland didn’t achieve independence :/